Works
Modern and contemporary art from the Joseph Clark Collection. Explore the works, their materials and the artists behind them.
Working with FRAME PR on digital visibility for the collection.
68 works
1968 · Lithograph, signed in the plate
Alexander Calder
Balloons
Balloons brings Calder’s interest in balance and movement to the printed page.
2026 edition after the 2023 work · Giclée print on Somerset Satin 330 gsm paper
Anish Kapoor
Glow
A pale band of light appears to emerge from a deep field of violet and blue.
2023 · Guarany Fósforos de Segurança matchbox, balsa wood, paper and charcoal in artist's frame
Antonio Tarsis
From the Ashes
Matchbox material, balsa wood, paper and charcoal come together in From the Ashes.
circa 1920 · Watercolour on paper
Béla Kádár
Couple III
Couple III places a pair at the centre of a watercolour, connecting with the scenes of courtship and everyday life found throughout Béla Kádár’s practice.
Painted metal
Bengt Rosenström
Madonna
Madonna brings colour and constructed form together in painted metal.
1967 · Oil on canvas
Bertil Berntsson
Untitled
This small oil painting belongs to Bertil Berntsson’s mature abstract practice.
Oil on canvas
Circle of Joseph-Laurent Malaine
Still Life of Roses, Lilac, and Other Flowers in a Vase on a Stone Ledge
Roses, lilac and other flowers gather in a vase on a stone ledge.
Sculpture
Craig Robertson
ae2
ae2 belongs to Craig Robertson’s exploration of copying, memory and imperfect likeness.
2025 · Drypoint on Arches En Tout Cas paper
Dana Schutz
The Optometrists
The Optometrists makes a profession devoted to vision the subject of a print that rewards close looking.
2022 · Two-colour photolithograph
Daniel Silver
Looking 1
Looking 1 brings Daniel Silver’s engagement with the body into a two-colour photolithograph.
2026 · C-type print
Delphine Gaborit, Anthea Hamilton, Lewis Ronald
GHR4
A hand rests against a pale blue shirt. The close crop brings skin, cloth and the pressure of the gesture into focus, withholding the face and much of the body.
1971 · Silkscreen reproduction on Somerset rough-textured 300 gsm paper
Eduardo Chillida
Barcelona (after Barcelona I, 1971)
This silkscreen reproduction presents the composition of Eduardo Chillida’s Barcelona I, created in 1971.
2016 · Oil on canvas
Ella Kruglyanskaya
Dual Pot, pg. 92
Dual Pot, pg. 92 brings the suggestion of a printed page into a painting of substantial scale.
2022 · Watercolour on paper
Fabian Peake
The Blue Barn
The Blue Barn brings a named colour and an architectural form together in watercolour.
2020 · 14-colour silkscreen print on Somerset paper
France-Lise McGurn
Dream bod and Bronco
Dream bod and Bronco brings France-Lise McGurn’s fluid figurative language into a fourteen-colour silkscreen.
2016 · Woodcut in colours
Georg Baselitz
Avanti
Avanti places the energy of mark-making within the discipline of woodcut.
2021 · Aquatint with photogravure
Glenn Ligon
Extract
Extract brings together aquatint and photogravure, combining two ways of carrying tone and imagery onto paper.
1995 · Oilstick on paper
Glenn Ligon
Study for “White Series”
Study for “White Series” brings written language and a worked surface into an intimate encounter.
2023 · Carbon and graphite on Kozo paper
Glenn Ligon
Untitled #7
Carbon and graphite give Untitled #7 a material vocabulary of dark marks and changing density.
Grizelda Kitching
Untitled
A pale blue field holds a lively arrangement of green, cobalt, lavender and warm yellow marks.
1953 · Oil on canvas
Heiko Mager
Composition
Composition presents painting as an arrangement of relationships: colour, form and the spaces that connect them.
1995
Hugo Glendinning
Nigel Charnock No. 1, from The Naked City Pictures
Nigel Charnock’s curled body lies near the edge of a broad paved space, surrounded by the repeated geometry of the surrounding architecture.
Oil on panel
Hugo Scheiber
Untitled
This untitled oil painting on panel belongs to Hugo Scheiber’s contribution to European modernism.
2017 · Lithographic print
Jac Leirner
Couple
Couple extends Jac Leirner’s interest in the arrangement of ordinary forms into lithography.
2023 · Recycled polypropylene, stainless steel and lighting components
James Shaw
Blob With Polished Tube
Recycled polypropylene and polished stainless steel meet in a lighting object that makes their differences part of its appeal.
Drawing
Jeffrey Porterfield
Untitled
A densely worked red and black form dominates the light, creased surface.
2021 · Archival inkjet print in custom painted frame
Joe Mama-Nitzberg
They had had
Mirrored figures, vivid colour and fragments of a sentence meet in They had had.
2020 · Mixed media on canvas
John Lloyd
Cowboy
A cowboy boot stands against a vivid blue field, accompanied by a gun and a snake.
Silkscreen print
Katie Fishlock
The Kiss
The Kiss approaches intimacy through Katie Fishlock’s playful visual language.
Gold-plated print
Keith Newlove
Untitled
Keith Newlove’s practice moves between drawing, textiles and sculpture, attending to the ways a line can become a material presence.
Acrylic on paper
Kynobio
Untitled
One of three related works on paper by Kynobio, this abstraction belongs to a group built around shifting passages of blue, green and warmer accents.
Acrylic on paper
Kynobio
Untitled
One of three related works on paper by Kynobio, this abstraction belongs to a group built around shifting passages of blue, green and warmer accents.
Acrylic on paper
Kynobio
Untitled
One of three related works on paper by Kynobio, this abstraction belongs to a group built around shifting passages of blue, green and warmer accents.
1998 · Felt-tip pen, ink and graphite on paper
Louise Bourgeois
Untitled
Felt-tip pen, ink and graphite meet in this intimate drawing from 1998.
Graphite on paper
Lucian Freud
Untitled (Joe)
The inscription JOE gives this small graphite drawing a personal point of reference.
Nail varnish on paper
Machine Woman
Carbonara
Carbonara uses nail varnish on paper, bringing a material associated with bodily adornment into image-making.
1968 · Oil on board
Marion Adnams
Colloquy
Colloquy names a conversation or exchange. In Marion Adnams’s Surrealist world, the word opens the possibility that forms might appear to address one another, gaining unfamiliar lives through their relationships.
2022 · Giclée print in colours on wove paper
Martin Creed
Work No. 3531 – EVERYTHING IS GOING TO BE ALRIGHT
Martin Creed’s familiar reassurance becomes both a promise and a question.
1988 · Collage
Mary Miss
Untitled
This 1988 collage offers a paper-based encounter with Mary Miss’s exploration of space and perception.
2004 · Oil on canvas
Meta Isæus-Berlin
Peace in My Purse
Peace in My Purse places a state of mind inside a familiar personal object.
2020 · Oil on canvas
Mia Chaplin
Blue Lovers
Blue Lovers brings intimacy into contact with the physical presence of oil paint.
Acrylic on paper
Michael Hill
Screen Capture
Screen Capture was shown in Michael Hill’s 2022 exhibition 1+9+8+4=22, a sequence of twenty-two paintings responding to George Orwell’s novel and its echoes in contemporary life.
Acrylic on paper
Michael Hill
Untitled (Bottle Painting)
An everyday bottle provides a starting point for this work by Michael Hill.
Acrylic on paper
Michael Hill
Untitled (Pink & Purple)
Pink and purple establish a starting point for looking at this acrylic work on paper.
Naomi Gilon
Big Paw
Big Paw belongs to Naomi Gilon’s world of exaggerated bodily forms and fantastic creatures.
Framed print
Nick Ballón
Congregation
Congregation suggests a coming together, inviting attention to the relationships that a photograph can gather within a single frame.
2020 · 16-colour silkscreen print
Phyllida Barlow
pointer
A street barrier, slender supports and a pronounced shadow become the elements of pointer.
Cement, plaster, scrim, spray paint and paint over polystyrene core
Phyllida Barlow
Untitled
A polystyrene core lies beneath layers of cement, plaster, scrim and paint.
2014 · Acrylic on watercolour paper
Phyllida Barlow
untitled: grinder
untitled: grinder brings Phyllida Barlow’s invention of forms into an intimate work on paper.
2020 · Handwoven sheep's-wool rug
Rachel Scott
Untitled XXVI
Natural variations in sheep’s wool give Untitled XXVI its colour and texture.
1975 · Oil on paper
Ray Parker
Untitled
This 1975 oil on paper offers an intimate encounter with Ray Parker’s abstract practice.
Painting
Roberta Vilić
Untitled
Roberta Vilić works between painting and printmaking, allowing one process to inform another.
Selene States
Untitled
This untitled print offers an encounter with Selene States’s practice through a work on paper.
Siobhan Doran
Untitled 1, from Houses That Sugar Built
This photograph forms part of Houses That Sugar Built, Siobhan Doran’s project with writer Gina Consing McAdam exploring historic Philippine houses connected to the sugar economy.
2025 · Acrylic and graphite on watercolour paper
Sutapa Biswas
Blue bird with orange bill
A long-tailed bird perches among branches and flowering foliage, its orange bill and red eye standing out against carefully articulated feathers.
2006 · Acrylic and line drawing on watercolour paper
Sutapa Biswas
Magnesium Bird
Magnesium Bird explores the transformation of becoming a mother.
2023 · Acrylic and pencil on paper
Sutapa Biswas
Time Flies 02.08.2023
The expansive phrase Time Flies is held against the precision of a single date: 02.08.2023.
2025 · Jesmonite, glass and electrics
Tai Shani
Haunted by a Million Small Suns (Cardinal)
A curved red form supports a pale, flame-like glass element lit from below.
Tamsin Relly
Colour Study – Blobs 1 (Magenta, Lemon Yellow, Cobalt Blue)
Magenta, lemon yellow and cobalt blue provide the starting points for this exploration of colour.
2022 · Oil on board
Teema Keroppi
Hating Bombs
Hating Bombs places a forceful emotional statement at the centre of its title.
2023 · Acrylic on 16 layers of canvas
Tim A. Shaw
Ouch, that really almost hurt
Sixteen layers of canvas give unusual emphasis to the support beneath this painting.
Ceramic sculpture
Tova Berglund
Untitled
Tova Berglund’s ceramic practice brings familiar forms into contact with feelings of vulnerability, affection and trust.
Acrylic paint on wooden panel; wall sculpture
Twan Janssen
Untitled
Paint becomes sculptural material in this untitled wall work by Twan Janssen.
1979 · Screenprint in colours on Arches paper
Victor Pasmore
Points of Contact No. 29 (L. G3)
Points of Contact No. 29 invites attention to relationships rather than a depicted scene.
Wyatt Gallery
Just a Thought 011
A palm tree appears in silhouette against the sky, its fronds spreading across the square of an instant photograph.
Yukako Shibata
Eggland I
Eggland I belongs to Yukako Shibata’s exploration of colour as an experience shaped by light and space.
Zena Kay
Untitled (Still Life)
Still life allows familiar objects to be seen outside the flow of their everyday use.
2022 · Screenprint in colours on Hahnemühle Photo Rag paper
Zhang Enli
Tea Garden
Tea Garden draws together the tea terraces of Hunan and the islands around Hong Kong.